Tell us a bit about yourself:
What are you passionate about in life, and who are you professionally?
I’m an interior architect, and my passion for renovating homes began when I was a child. During car trips with my parents, whenever I spotted an abandoned house along the road, I would imagine how I could transform and improve it. The same thing happened when I accompanied my father, who owned a furniture store: while he conducted site visits with clients, I dreamed about how to revolutionize and breathe new life into their spaces. This passion turned into a profession that I’ve been pursuing with enthusiasm for over 15 years.
During my career, I interned in Diesel’s Interior Design department, where I worked on store designs. Later, I spent 10 years at Smania, focusing on interior projects for private clients, designing trade show booths for the company, and creating store corners in department stores.
What does colour mean to you, and how did you use it before discovering the RAH method?
I started to understand the importance of colour when I found myself in homes with “colourful” interiors that made me feel immediately happy, at ease, and energized. Living in the Po Valley, a region known for its greyness and fog during winter, I realized how much colour can impact our well-being. Bringing colour into homes, especially those inspired by nature, is a simple yet powerful way to create harmony and positivity in daily life.
Before discovering the RAH method, I relied on a Japanese manual that offered very interesting colour combinations.

"The RAH method is both a highly professional approach and a tool that consistently guarantees effective results."
Quale valore intendi offrire ai tuoi clienti attraverso il tuo lavoro?
The value I aim to offer my clients is, first and foremost, well-being. I strive to create spaces where people feel comfortable, designed to make daily life more enjoyable. Every project is carefully planned to combine functionality and beauty, ensuring refined environments, attention to detail, and the use of high-quality materials.

Finally, your personal thoughts: what hopes do you have for the future of your field?
I hope that in the future, the idea of using colour will no longer be met with fear, such as the classic “What if I get tired of it?” Instead, I hope it’s embraced with enthusiasm. It’s essential to educate as many people as possible about how surrounding themselves with white can make spaces feel bare and often lifeless.
Recently, I visited the Royal Palace of Caserta and was amazed by the abundance of colour: not a single centimetre of wall was left bare, and every room was a triumph of hues and decorations. I asked myself: what would have struck us today, or what could we admire and study if those spaces had all been white?
How has the RAH method transformed your approach to design?
The RAH method has become an indispensable tool for incorporating colour into my projects. On one hand, it’s a highly professional method; on the other, it consistently delivers effective results. Thanks to this approach, I no longer doubt which tones to propose or whether the client will appreciate them. The personalized colour palette has become a fundamental part of my workflow.

What value do you aim to offer your clients through your work?
The value I aim to offer my clients is, first and foremost, well-being. I strive to create spaces where people feel comfortable, designed to make daily life more enjoyable. Every project is carefully planned to combine functionality and beauty, ensuring refined environments, attention to detail, and the use of high-quality materials.